Fences
Mixed paint on reclaimed wood — alongside paintings on paper and canvas, panels that read as chronicles of political and cultural moment, dated and layered like strata.
View fencesBermuda · London · Sussex
Mark Painter works on paper, canvas, and reclaimed wood — tracing memory, quantum uncertainty, and the marks left when intention meets accident.
About
Born in Bermuda in 1957, Mark Painter studied at Great Yarmouth College of Art and Technology, St Martins School of Art, and the Royal College of Art. His practice spans decades of painting on paper and canvas, alongside installation works built from salvaged timber and recycled paint.
From early watercolours made on Himalayan treks to recent acrylic series on paper, the work returns to the same questions: how does process reveal meaning? What survives when control is surrendered to chance?
Exhibitions
Group and solo shows across the United Kingdom, from student presentations at the ICA and Royal Academy to recent open exhibitions in Sussex.
Sussex Contemporary
Old Fox Yard
The Factory
Devonshire Collective
Brixton East
Birley Centre
Brick Lane Gallery
Mall Galleries
Royal Academy
Royal Academy
ICA
Selected works
A curated view across works on paper and canvas, fence panels, splinter groups, maquettes, shutters, and recent travel paintings.
Bodies of work
Mixed paint on reclaimed wood — alongside paintings on paper and canvas, panels that read as chronicles of political and cultural moment, dated and layered like strata.
View fencesCompositions of reclaimed wood and recycled paint — small constellations that suggest landscape, code, and collective memory.
View splinter groupsSalvaged domestic and architectural fragments transformed into wall works and maquettes — domestic myth meets sculptural presence.
View shuttersAn ongoing travelogue in acrylic — seventy-five works tracing a journey through India and Sri Lanka, painted as immediate responses to place, heat, and encounter.
View recent worksPractice
“The work is not a picture of something — it is the residue of a process. Quantum mechanics taught me that observation changes the thing observed; painting is no different.”
— Mark Painter
Layers built, scraped, and rebuilt. Surfaces carry the history of their making — visible sanding, drip, and revision.
Controlled accidents: poured paint, weathered wood, found colour. The hand sets conditions; the material completes the sentence.
Whether on paper, canvas, or reclaimed wood, each surface holds prior marks and histories. The artist adds a chapter without erasing the last.
Contact
For exhibition proposals, acquisitions, or studio visits, please reach out by email or connect on social media.
Full catalogue of paintings on paper and canvas, and works on reclaimed wood — for reference and search indexing.